Regie:
Denys ArcandScenario:
Denys ArcandCamera:
Guy DufauxMuziek:
Pierre AviatActeurs:
Rémy Girard, Stéphane Rousseau, Dorothée Berryman, Louise Portal, Dominique Michel, Marie-Josée Croze, Marina Hands, Roy Dupuis, Micheline Lanctôt (meer)Samenvattingen(1)
Rémy is een geschiedenisprofessor, die zijn leven heeft gewijd aan vrouwen, wijn en de linkse zaak. Hij heeft kanker en heeft niet meer lang te leven. Zijn vrouw is jaren geleden bij hem weggegaan omwille van zijn avontuurtjes, zijn zoon is een miljonair, woont in Londen en haat zijn vader uit de grond van zijn hart, zijn vrienden zijn van hem vervreemd en de morfine doet al lang zijn werk niet meer. Na wat twijfel beslist zoon Sébastien toch naar Montréal te komen om samen met diens ouwe vrienden afscheid te nemen van zijn vader. (Paradiso Films)
(meer)Video's (1)
Recensie (2)
A fairly enjoyable and relatively original film, but with the universal theme of the impassable wall between a slowly dying father and son. The film doesn't offer anything mind-blowing, but I still found myself lingering over the scenes of the old friends reminiscing or the friend of the son of the dying father doing drugs together with the father of the friend. I think this film is worth watching and I see it as a 7.5 out of 10.
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The contradictory evaluation of this film is due to the theme of aging, dying, and balancing life, which is inherently distant for most FilmBooster users due to their age. Moreover, the genre in which Arcand operates, psychological drama lightened with a series of tragicomic moments, cannot be as much of a box-office hit as classic entertainment genres. Some objections to the film are indeed valid. It does feel like a TV film and is based on dialogue, which means that the visual aspect falls behind. Not to mention that, given the intellectual focus of most characters, some of their debates slide into unproductive and disconnected conversations, which the director and screenwriter try to use as one of the satirical jabs. Additionally, some of the motifs used, such as searching for heroin at a police station, are really "out of place" and seem to have come from another film from the crazy comedy genre. On the other hand, if one accepts the subject matter and the given situation, the film is truly an impressive look at a dying person and their loved ones. In a way, The Barbarian Invasions can be used as a metaphor for the entire contemporary Western world, where ideas of continuous progress and advancement, solving fundamental societal problems through ideologies, etc., are dying. The professor, as a staunch leftist, who devoted a significant part of his life to promoting various "isms," at the end of his journey is confronted with the desperate condition of state hospitals full of bureaucracy, incompetence, and corruption. His son has to bribe his students to come and visit their teacher, thus providing him with the illusion of interest. The man, who prides himself on his knowledge of culture and literature, must bitterly witness the fact that his offspring, who has not read a single book in his life and spends time playing video games, earns more in a few days than he does in a whole year. Essentially, it is an interesting film with decent performances, and if one overlooks the aforementioned flaws, they will be rewarded with a decent experience. Overall impression: 75%.
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Galerie (30)
Foto © 2003 Miramax Films
![Les Invasions barbares - Van film](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/160/159/160159692_32371b.jpg)
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