Regie:
Chris ColumbusScenario:
Steve KlovesCamera:
John SealeMuziek:
John WilliamsActeurs:
Daniel Radcliffe, Rupert Grint, Emma Watson, Robbie Coltrane, Tom Felton, Richard Harris, Fiona Shaw, Ian Hart, John Hurt, Richard Griffiths, Alan Rickman (meer)Streaming (4)
Samenvattingen(1)
Na het overlijden van zijn ouders wordt de jonge Harry Potter opgevoedt door zijn oom Vervon en tante Perunia. Hij wordt slecht behandeld en heeft voortdurend ruzie met hun zoon Dudley. Op een dag krijgt hij een mysterieuze brief van de Hogwarts School of Witchcraft and Wizardry. De man die de brief bracht vertelt Harry over zijn ware afkomst... (Warner Bros. Pictures)
(meer)Recensie (12)
I know that as an ordinary muggle I have no say in this, but why on earth didn't the creators conjure up a better lead? Daniel Radcliffe is awfully plankish, even though I can't expect miracles from a rookie. And I would also expect that in a project like this, some of the visual effects wouldn't be so blatantly digital. And while I'm criticising, Williams's music isn't one of the strong points either. I find Williams quite repetitive, and part of the main motif reminds me strikingly of one of the motifs in Schindler's List. On the other hand, the Quidditch scene was good and the the pawns with two swords in the chess game were cool. I also liked John Cleese’s appearances. And one more thing, I’ve made up my mind, sod cars, I’m getting a Nimbus 2000…
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Harry Potter and the Philosopher’s Stone is a routine movie that is in no way exceptional, but it is skilfully and spectacularly filmed Hollywood entertainment for the whole family.
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Ummm… I was forced by circumstance to see it. Yes, it's visually perfect, but for God's sake, I don't understand what that the guy with glasses was doing. It was too serious for a fairy tale, too infantile for fantasy, not funny enough for a comedy, and not adventurous enough for an adventure film. Columbus reminds me of a craftsman who didn't want (couldn't) smuggle any of his own ideas into the story. A perfectly done commercial product, nothing more. The fault is probably in me, Harry Potter made me very bored even after I read a few pages. We were not meant for each other, and Rowling is never going to be poor... And neither am I, so why worry?
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A slavish, unimaginative, and routine adaptation that has the ungrateful task of drowning the whole first half in slavish, unimaginative (what a pity given its magical nature) and merely routine introductions of the characters and their world. There's not much to criticize, but it's also completely without invention ideas of its own. Which is true of most of Columbus' movies. There is not one originally filmed scene, not a single interesting camera angle; simply nothing. It's as if a robot made the movie, page by page. And the extended version is worse because the extra scenes are not only completely unnecessary, but are as mundane as everything else. The casting of the child actors is quite successful but the acting is not great; yet it is slowly getting better with each episode. The adult “back-up" cast is invariably great.
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Two decades have passed and the film that started it all hasn't aged a day. It's hard to say whether Chris Columbus knew what enormous phenomenon that was undertaking, but I am incredibly grateful to him for it. Without him, I would have never gotten into movies, but most importantly, I would never have discovered the beloved subject matter of the books. And the nostalgia while watching "our new celebrities" haunted by Severus Snape is truly immeasurable. It may not the best installment, but it is truly the first.
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You either love Harry Potter or you don't understand why everyone around you loves him so much. I'm one of the former. I think I'm from the generation that enjoyed watching it the most. I was young enough to be enchanted by all the magic and old enough to understand it. I grew up with Harry and the individual installments always fit my age just right. And so, to this day, The Sorcerer's Stone is an all-time favorite of mine, and a story that brings out the little kid in me who firmly believes that Hogwarts exists :)
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The beginning to a legendary series that has gained a large number of fans, just like its famous literary source. I have certain reservations about the first one, which still somewhat stays down to earth in many aspects and situations, and sometimes appears overly childish and wannabe comedic, but it successfully plays out a great magical game and the fictional world of Hogwarts is hard not to love. It’s a good start, though far from perfect.
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I read the “Harry Potter" books six years ago - half of them in hospital, the other at home. I liked them, I devoured most of them almost in one breath, but I have - unintentionally - avoided the films to this day. It's hard to say why, actually. At the same time, the film version of The Philosopher's Stone has the same impact on me today as the book did years ago. It's still that sweet, mostly children's story that introduces the magical world, introduces the most important characters, entertains and thrills. If I'm not mistaken, everything important was left in and the filmmakers didn't screw anything up, which is a small miracle. I liked John Williams' music, Columbus' direction didn't offer anything memorable but didn't ruin anything either, the special effects could have been less blatantly digital, but what can you do. The greatest aces of the film are the child actors. Not only did they manage to pick them accurately, but they also know how to act - and how! Especially Emma Watson, who throws great disgusted looks and made me laugh more than once. I don't even need to mention the magnificent adult cast - it's not a plethora of stars, it's a starry sky.
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Very nice in parts (especially the visuals of Hogwarts and, of course, the iconic central melody) and presented in an effective family package, but too sprawling and chatty, and it doesn't portray the characters (except for the final thirty minutes) or the plot in the way the relatively short book does. I like this film, but it’s pretty weak compared to some of the sequels.
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"Yer a wizard, Harry." –– This is a beautiful tale about a wizard's apprentice that even after several years has not lost its original charm and atmosphere. When I watched it recently, believe me, I had the same wonderful feeling as when I first saw it. While I admit that the main trio does not exactly give Oscar-winning performances, they wonderfully make up for it with their childlike innocence – because, like the audience, they are gradually learning about this world of magic and enchantment, its many wonders, but also its dangers... I do not think I need to elaborate further in my review, because I do not believe anyone has not heard of this movie.
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At the beginning of the new millennium, the grand journey of one of the greatest cinematic sagas of the 21st century began, and I have a vivid memory of staring in disbelief at what it actually was, as the book version didn't come to me until several years later. Chris Columbus's first (and second) Harry Potter is still a PG-rated tale that exudes the family feel of the director's previous film Home Alone. Even years after the premiere, the unforgettable theme tune from composing titan John Williams still rings in my ears, and while some of the effects are subpar, I was still pleased with the visuals. There are a few clumsily done spots in terms of the script that were due to the adaptation of the source material, but that's something to be expected with most film adaptations. Alan Rickman is already incredibly convincing here, and the mediocre performances of the still-unseasoned trio are balanced by seasoned actors like Maggie Smith and Robbie Coltrane. One of the prime examples of what a family fantasy film should look like, and while it has its flaws, it's perfect for its age group.
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A spectacle free of caffeine, nicotine, and with the absence of sperm, excrement, and other interesting things, where next to the brilliant technical side (special effects, set design, costumes, etc.) the direction, the script, and the performances of the little actors gradually weep.
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