Regie:
Rose TrocheScenario:
A.M. HomesCamera:
Enrique ChediakMuziek:
Barb MorrisonActeurs:
Glenn Close, Dermot Mulroney, Jessica Campbell, Patricia Clarkson, Joshua Jackson, Moira Kelly, Robert Klein, Timothy Olyphant, Mary Kay Place (meer)Samenvattingen(1)
As Esther (Glenn Close) struggles to remain the perfect mother in the wake of a tragedy, Annette (Patricia Clarkson) copes with toxic fallout from a nasty divorce. Meanwhile, Jim (Dermot Mulroney) goes off the deep end when he's passed over for a promotion at work. But these very different people are bound together by more than their cookie-cutter homes and manicured lawns. In fact, an event from their past threatens to shatter their fragile lives unless they can find the strength to face it and each other head on. (officiële tekst van distribiteur)
(meer)Video's (1)
Recensie (2)
An interesting collage of the life stories of four middle-class families from the suburbs of an American city. The highlight is the excellent cast with full-blooded performances, and especially Patricia Clarkson and Glenn Close deserve absolute recognition. These female characters are better written, and you can tell there's a woman's touch in the direction. At first, it was a bit difficult to decipher the abundance of characters and assign them to the right family, and one's orientation is also hindered by quick editing, which alternates between the characters and the setting, sometimes somewhat arbitrarily. The number of psychological problems and life mishaps of the characters is also a problem, as there is a certain purposefulness in the screenplay. On the other hand, several scenes and micro-stories have psychological power and reflect the crisis of the American middle-class today. Overall impression: 75%.
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The attempt to copy American Beauty is evident (perhaps sometimes unnecessarily so). And yet The Safety of Objects is more bizarre, simpler, and, above all, sadder. Of the actors, I would highlight Joshua Jackson, for whom I have a general weakness, and also Timothy Olyphant, who squeezed the absolute maximum out of his role.
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