Regie:
Spike LeeScenario:
Russell GewirtzCamera:
Matthew LibatiqueMuziek:
Terence BlanchardActeurs:
Denzel Washington, Clive Owen, Jodie Foster, Christopher Plummer, Willem Dafoe, Chiwetel Ejiofor, Kim Director, James Ransone, Peter Gerety (meer)Streaming (2)
Samenvattingen(1)
Rechercheur Keith Frazier (Denzel Washington) en zijn partner worden geconfronteerd met een overval op een bank, waarbij een grootschalige gijzelingssituatie ontstaat. Frazier moet het opnemen tegen de superintelligente crimineel Dalton Russell (Clive Owen) die de perfecte bankroof heeft bedacht. De onderhandelingen verlopen moeizaam en worden verder gecompliceerd door de aanwezigheid van Madeleine White (Jodie Foster), een effectenmakelaar met belangrijke connecties. (United International Pictures)
(meer)Video's (1)
Recensie (10)
Spike Lee is a genius! A genre film thought out to the last detail, shot with clarity (Matthew Libatique's amazing cinematography, editing, the scene composition) and insight (wit, great allusions to the atmosphere of New York 5 years after 9/11). Thanks to the artfully inserted details, cuts, and masterful work with fabrication, the film is above all known standards. For the majority of the viewing public, it is an overly verbose and desperately inactive affair, but for those who can read between the lines of this most distinctive African-American in Hollywood's director's chair, they will understand that there is no robbery like a robbery and the sins of youth are not forgotten even after sixty years. Thanks, Spike!
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After my second viewing of Inside Man, I’m raising my rating to five stars. This film is as elegant as Denzel Washington’s sleek suit in the final scenes. It is a conscious, intelligent and entertaining flick about a bank robbery that does not need to contain any violence (or thugs) to have balls, and which actually works as a criticism of violence (a parallel with the action game on a little black boy’s PSP display). The actors enjoy it all the way, Spike Lee and Brian Grazer (who kept the budget at an incredible USD 45 million) are amazing, and the final song, “Chaiyya Chaiyya Bollywood Joint”, perfectly captures the emotions of the movie.
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Luckily Spike Lee hasn’t drowned in commercial waters and managed to film a very pleasant and intelligent picture that he worked some moments from his previous works into. The screenplay starts off with an excellent idea, which makes it all the more surprising that in the end it is the screenplay that is the weakest aspect of this movie, because it isn’t enough for over two hours of running time. Luckily this isn’t completely obvious when you are watching, thanks to Spike, the absolutely perfect casting and a very successful balancing on a knife’s edge between thriller and comedy. Overall, very good, but for me The Negotiator remains the “king" of this type of movie.
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Overcomplicated and yet unfinished. Spike Lee's storytelling style just doesn't sit well with me. After The 25th Hour, he once again failed to capture my attention in the first half, only to deliver an almost beautiful ending. This was mainly aided by the brilliant Clive Owen, and yet despite its omniscience and supposed lightness, this piece failed in a most striking way.
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The perfect heist? Yeah, right! Rather, in terms of logic, a perfectly haphazard xth variation on the bank robbery. Logically leaky both in the point of the action of the robbers, however spectacular, and in the actions of the bank boss (who was he saving the compromising materials for?). The fact that Spike Lee once again stood his ground is a poor excuse. I was pleased with his subtle political allusions, although they were not nearly as strong as Norton's confession in 25th Hour, I was pleased with his sense of black humour, and although the film moves along briskly and doesn't get boring, I definitely expected more from a filmmaker with such a big name than just a wannabe spectacular and contrived story.
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