Regie:
Darren Lynn BousmanCamera:
David A. ArmstrongMuziek:
Charlie ClouserActeurs:
Tobin Bell, Costas Mandylor, Scott Patterson, Betsy Russell, Lyriq Bent, Athena Karkanis, Simon Reynolds, Mike Realba, Marty Adams, Sarain Boylan (meer)Streaming (1)
Samenvattingen(1)
Jigsaw en zijn protegé Amanda zijn dood. Maar daarmee zijn hun zieke spelletjes nog niet afgelopen. Twee FBI-agenten helpen rechercheur Hoffman de puzzelstukjes bij elkaar te zoeken. Wie was Jigsaw? Wat wilde hij? Wat dreef hem tot zijn sadistische daden? Terwijl zij de zaak onderzoeken wordt SWAT-teamleider Rigg ontvoerd. Hij heeft 90 minuten de tijd om zich uit een reeks gruwelijke valstrikken te bevrijden. Zijn beproeving laat een spoor van dood en verderf achter, maar Rigg heeft geen keuze. Als hij het niet redt, zijn de gevolgen nog veel erger... (Benelux Film Distributors)
(meer)Video's (4)
Recensie (6)
The bloodbath continues, a.k.a. The Eternal Sunshine of a Very Dirty Mind. It adds again more blood, more screams, more brutality, and more scenes where you have to look away. And for the first time, I feel that the proverbial limit of tolerability has been exceeded. This installment is indeed too similar to the third one, Jigsaw has been practically out of the game since the second one and appears only in flashbacks (I must admit that they are very well done), and the main roles are taken over by interchangeable supporting characters I couldn't really find much of a connection in an hour and a half. The honorable exception belongs to the persistent agent Strahm, played appealingly by Scott Patterson. But seeing the only strengths of the thriller in a few minutes and one character smells like a future disaster. In other words, for the first time, I don't want to see the next installment.
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Saw 4 has pretty clever traps, another surprising twist, and I liked the flashbacks into the life of Jigsaw. I even felt sorry by the death of one of the characters, which also counts. This is perhaps the weakest entry in the series, mainly due to the holes in logic in the plot, but it’s still watchable. Those who liked the previous episodes, might be satisfied, the rest shouldn’t even bother.
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While the script isn't as big of a twister as last time (except for the tragic ending), the creative ideas aren't as sick in comparison when it comes to the challenges. It's also not as boring, but it’s a rather stupidly drawn-out narrative about Jigsaw's legacy to the next generation, revealed by a big, muscular black man with no charisma, followed by a tragic bunch of characters, most of whom you want to die because you just don't enjoy them. This will only excite young couples around the age of fifteen in the movie theater, with the boy expecting her to hide from the action on the screen in his lap. Although Saw III and Saw IV are similar, the film doesn’t belong on the lowest rung. Given that it went by fast and the fact that if Bousman had made something else, he might have shown us some of his interesting horror talent. It's a shame to waste him on this stuff.
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The autopsy was nice and I was pleased from the start, but then it went to shit. Even the gore effects lost their interest (except maybe the first Jigsaw trap). And if someone sets up a "shocking" reveal that can't be gleaned in any way from the previous story, that's a sign of complete screenwriting impotence.
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The stuff that worked in the first one, i.e. several lines unfolding successively with information that support the outcome of the rest, which converge in the end, here looks like beating a dead horse in a film that lacks any logic and coherence in the continuity of the scenes and the way it shifts the attention. Everything is messed up, the motivations of the characters are soap-opera quality and it’s impossible to relate to them because there’s no dominant story or goal. Though the aggressive editing style saves it at times, I still wanted to turn off the TV after twenty minutes, and I wouldn’t have missed anything. 20%
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Galerie (43)
Foto © Hollywood Classic Entertainment
![Saw IV - Van film](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/161/246/161246703_9c1a3c.jpg)
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