Regie:
Ben StillerCamera:
John TollMuziek:
Theodore ShapiroActeurs:
Ben Stiller, Robert Downey Jr., Jack Black, Jay Baruchel, Nick Nolte, Danny McBride, Steve Coogan, Bill Hader, Reggie Lee, Christine Taylor (meer)Streaming (4)
Samenvattingen(1)
Een groep acteurs gaat op locatie, in Zuid-Oost Azië een oorlogsfilm maken. Het zijn echter een stel prima donna's en de regisseur is ze helemaal zat. Als laatste redmiddel om nog iets van de film te maken, trekt hij met z'n cast de jungle in, om ze in barre omstandigheden te laten acteren. Maar dan komen ze in contact met een plaatselijke drugsbende op de locatie waar de film wordt opgenomen... (Universal Pictures International Netherlands)
(meer)Video's (3)
Recensie (11)
Jack Black’s comedic potential is completely unused here; his character could have been played by any unknown comedian and the film would not have suffered for it. Ben Stiller is funny only when he plays “the guy he played in another movie”. Robert Downey is cool only thanks to his black accent. For every one good joke in 20 minutes, there are ten forced or downright unfunny ones. The only thing that stands out and hits the bull’s eye here is Tom Cruise. I like crazy comedies, parodies, war movies and criticisms of Hollywood, but sorry, I like my steaks done right.
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Stiller is getting smarter and smarter, and he can make fun of things you thought everyone had already made fun of enough a long time ago. After the modeling industry, Hollywood is taking the hit with such vigor it's chilling if it's really true. The excellent technical aspects are just the cream on the cake, but the cherry on top is Tom Cruise - at least for having the courage to make such an ass of himself, and with such grace that I would really give him the Golden Globe!
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Stiller knows very well that making a parody doesn’t mean making one-to-one copies of one scene after another, but rather about well scattered nods and making sure that the movie works as a whole. You need to be skilled enough to shoot it at least as well as the original. This “anti" Hollywood Tropic Thunder was no disappointment in that respect. But, as hard as it tries, it just isn’t funny. It simply tries too hard and turns out unnatural. It’s like Stiller missed his fellow Frat Packers and their chemistry and interplay. Maybe it should have set out on the journey to absolute absurdity that we know from Zoolander or Dodgeball rather than this rather vulgar normality.
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Very wacky and with a bold humour that is very close to my heart. On the plus side, the casting is great, some of the actors were unrecognizable (Tom Cruise wtf? ! I also had a problem with the black Robert Downey Jr.), the plot is fine and fresh, the lines are crazy and Ben Stiller steals the whole movie for himself, after all, he directs it. I believe it was incredibly fun to make. Great line from the movie: “I'll cradle the balls, stroke the shaft, work the pipe, and swallow the gravy. Get it over here, buddy. Let's do this.”
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During its premiere, I avoided Tropic Thunder by assuming it would be too much of a dejected commercial blockbuster that I wouldn't enjoy. When I saw it on TV later, I had to admit that I had unfairly judged Tropic Thunder to some extent, because it is an entertaining film, made and acted with ease. I can give it three stars with a clear conscience, but unfortunately, I won't go any higher. The film is funny, but not smart, simply because Ben Stiller doesn't have that type of personality. He is a comedian who doesn't aim higher than making the audience laugh and doesn't care about criticism or analyzing the system. It is not a sharp satire, even though it has the potential and knowledge of the film industry to do so. One Flew Over the Cuckoo's Nest was such a satire in its time or more recently Wag the Dog. Stiller prefers sometimes well-functioning, sometimes cheap, straightforward gags. If the film works well as a whole, it is thanks to the star-studded cast, who are clearly enjoying themselves and making fun of their celebrity status. Tropic Thunder parodies specific scenes from films like Apocalypse Now or, especially, Platoon. But at the same time, it is a parody of the manners of favored acting aces and their perpetual dilemma between lowbrow consumer production, which sustains them, and the desire for artistic self-realization and appreciation from professional critics. In the second half, I felt that the film lost not so much its pace, but rather its charm and wit. Much more could have been pulled from all that mystification and confusion... Overall impression: 65%.
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