Regie:
Ridley ScottCamera:
Dariusz WolskiMuziek:
Alberto IglesiasActeurs:
Christian Bale, Joel Edgerton, John Turturro, Aaron Paul, Ben Mendelsohn, María Valverde, Sigourney Weaver, Ben Kingsley, Hiam Abbass, Ewen Bremner (meer)Streaming (3)
Samenvattingen(1)
Exodus: Gods and Kings is de nieuwe avonturenfilm van de bekroonde regisseur Ridley Scott over de epische strijd van één man tegen een machtig rijk. Met behulp van geavanceerde visual effects en 3D-technieken brengt Scott het verhaal van Mozes (Christian Bale) tot leven, als hij in opstand komt tegen de Egyptische farao Ramses (Joel Edgerton). Om te ontsnappen uit het door dodelijke plagen geteisterde Egypte, begint Mozes samen met 600.000 slaven aan een monumentale reis. (20th Century Fox)
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Exodus is a classic historical film by Ridley Scott, which I needed after the terrible Counselor. It contains an epic story, offers brutal war scenes, and sometimes incredibly shot sequences that will haunt me in my sleep for a long time. Maybe it's just those ten plagues of Egypt. It also features quality music and great performances by the actors, and there is only one thing bothering me about the movie. And that is the fact that if Ridley released the four-hour version in theaters, everything would probably make sense. I went to the bathroom about a third of the way through the movie in the theater. I was gone for about a minute and after a minute I was shocked at how the story had progressed. I probably hit a bad moment. However, at times it is noticeable that Ridley had to cut to fit at least two and a half hours. Nevertheless, all of this doesn't change the fact that I can't find any other criticism of this movie. I don't understand the local expert opinions, which all seem to agree like copycats that this is one of the worst Ridley Scott movies, but they are still glad that it is at least some movie, because no one else could have done it better. It would be better if everyone formed their own opinion on it and I will be perfectly satisfied.
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At first, I thought Scott was going to do the bidding of the Jewish lobby, which has long since failed to let the viewing public be moved by its bitter fate through a narrative sandal. Yet he goes about it in a surprisingly rational way, and so while the pragmatic appreciation of the seven plagues of Egypt by Pharaoh's croaker is still laughable, Moshe's revolution, in which he is on the edge of personal madness, is no longer feigned, and the unorthodox vision is definitely clamped at the bottom of the Red Sea, with even the slight shortcoming (the not-quite-functional portrayal of the bond between the "brothers," which is fortunately saved by both characters; and 20 minutes more would have helped) receding and both ordinary viewers and the those familiar with the literary work will be satisfied.
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A Biblical epic about Moses, in which there is no need to analyze the characters and their relationships, because we all know them well. We should be satisfied with the beautiful epic concept with breathtaking exteriors and nice costumes, and the spectacular depiction of legendary disasters and crossing the ocean should be enough to turn the film into a blockbuster hit. Except that we’re not satisfied and it’s not enough. I am an atheist and biblical events alone are not enough for me. These were supposed to work as the bases for a thorough depiction of the motivation of the characters and the difficulties of the fundamental historical stage of humanity and its political and ethnic problems. Exodus either lacks all of that or gets it over with as quickly as possible. It is a super serious work that is less entertaining than the silly Dracula Untold.
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We can clearly see in every other scene, how much the movie was edited and it is more that obvious that Ridley has a much longer version of it in his drawer. Without this, it would have been even better. But even in its current not polished form, it is exactly what one would expect from it. In other words, it is a truly magnificent and handcrafted adaptation of one of the most impressive stories ever. The snag is mainly in the form of the already mentioned cinema editing, which should have either been shorter and free of all those ambitious subversive motives and themes (Moses' blinded madness, his unbelief, vengeful (not)God of preschool age, emphasis on the non-mythological line, doubting Joshua, Macbeth-like Sigourney, much more sympathetic Egyptians led by the pharaoh, etc.) and simply being an "precise" adaptation of the well-known or should have been even longer and should have been more focused on the above-mentioned and purely sympathetic ambitious subversions. In its current form, however, it is unfinished and halfway, because the epicness of Egypt, individual wounds and the exodus itself were prioritized in terms of footage. Which is a letdown on one hand, but on the other hand it is very enjoyable to watch. That is for sure.
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Definitely better than Darren Aronofsky's Noah, but still, Ridley Scott could have gotten more out of it. Exodus is an epic and visually arresting sensation that is rather empty, cold, emotionless and with an excessive running time, that's what slightly hindered my full experience here. For an hour and a half nothing interesting actually happens apart from Moses' wanderings around the world, this could definitely have been cut down and instead more time spent on the Egyptian plagues, which are over rather quickly, but there can be no fault with them they are perfectly shot, gripping and breathtaking. The final tsunami will literally make your mouth drop, I've never seen anything better. It's amazing how technology is moving forward, it's a pity the pace didn't get more of a push on the throttle, it might have made me melt. Must see on big screen!!! 75%
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Galerie (85)
Foto © Kerry Brown / TM and Twentieth Century Fox Film Corporation
![Exodus: Gods and Kings - Van film - Golshifteh Farahani, Joel Edgerton](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/159/345/159345074_5e471c.jpg)
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