Regie:
Stephen FrearsScenario:
John HodgeCamera:
Danny CohenMuziek:
Alex HeffesActeurs:
Ben Foster, Chris O'Dowd, Lee Pace, Guillaume Canet, Jesse Plemons, Dustin Hoffman, Elaine Cassidy, Denis Ménochet, Bryan Greenberg, Laura Donnelly (meer)Streaming (2)
Samenvattingen(1)
Hoe kan het dat wielrenner Lance Armstrong – geen sterke klimmer – opeens het peloton passeert tijdens bergetappes van de Tour de France? Sportjournalist David Walsh staat alleen in zijn verdenkingen. Zijn vragen over dopinggebruik worden door Armstrong fel bestreden. Wil Walsh soms de aandacht afleiden van Livestrong, zijn fonds dat miljoenen binnenhaalde voor kankerbestrijding? Armstrong zelf genas tegen de verwachtingen in van uitgezaaide teelbalkanker voordat hij zeven keer op rij de Tour de France won – een ongeëvenaarde prestatie. Maar de verdenkingen stapelen zich op en in 2012 moet Armstrong toegeven dat hij deelnam aan het meest geavanceerde, professionele en succesvolle dopingprogramma dat de sportwereld ooit zag. Is Armstrong een monster of een man met een grenzeloze wil om te winnen? (Dutch FilmWorks)
(meer)Video's (5)
Recensie (4)
It's not a downright bad effort, but I'm bothered by the rushed first third of the story, which clearly calls for further development. And I'm even more disappointed in the utter lack of emotion of the whole narrative. I understand that on the one hand, considering the slimy character of someone like Lance Armstrong, the film portrays, however, at least a slight touch of emotion wouldn't hurt. (55%)
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The film is truly exhausting in its one-sided focus, but given that Lance defined himself as a saint for many years, it's a refreshing perspective. Plus, I only just realized how deeply it all went and how it actually looked. I wasn't that interested in the whole affair before. Ben Foster and Chris O'Dowd are both excellent!
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Ben Foster right on target, but otherwise too cold and detached a mosaic, which is shot in the style of Rush, i.e. semi-documentary/semi-fiction, but above all thrilling and energetic, but while aforementioned film, even with its sharp editing and abbreviated narrative at the expense of drama, is spectacular precisely in the way it manages to convey pure, deep emotions in a small space, The Program fails to do so. Lance Armstrong is too cold and inhuman, making it impossible to sympathize with him much or take one thing or another from him. As a documentary, then, it fails in its delivery, as it becomes increasingly cinematic as the minutes tick by. Still, I respect the people behind it, because the subject is quite unique and difficult to film
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The Program is a well-directed, tenacious film with an excellent Ben Foster. The mosaic of Armstrong’s cycling career is put together in skillful, clever and brisk fashion. But in order to win the audience over, it would also need to develop the main character’s personal life. If Armstrong even had any personal life to speak of (meeting his fiancé and the wedding take two minutes and we don’t see her again in the movie, as he lives alone in the house). The film has only one more well-developed character (a fellow cyclist with a conscience), but that’s just a supporting role. And the audience would also like to sympathize with him a little bit… Still, I give The Program four stars for Frears’s and Foster’s professionalism. The film is as precise and unemotional as its main character.
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Galerie (22)
Foto © StudioCanal / Larry Horricks
![The Program - Van film](http://image.pmgstatic.com/cache/resized/w663/files/images/film/photos/160/189/160189537_923b7d.jpg)
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