Regie:
Petr JáklCamera:
Jan ŠusterMuziek:
Karel HavlíčekActeurs:
Jennifer Armour, Alina Golovlyova, Jeremy Isabella, Paul S. Tracey, Debra Garza, Инна Беликова, Vladimír NevedrovSamenvattingen(1)
While filming a documentary about cannibalism of the 20th century, a crew of American filmmakers must face the real life story of probably the most violent serial killer of all time, a cannibal who killed more than fifty people. They travel to an area of Ukraine where people have been mysteriously disappearing, and soon find themselves trapped in a supernatural hunting ground, the next victims of a malevolent spirit. (officiële tekst van distribiteur)
(meer)Recensie (7)
Finally, someone from Czechia whose genre films are not hindered by Eastern European shittiness, have balls and can be sold globally. Ghoul is a universally effective horror movie in the Hollywood Paranormal Activity / Blair Witch style, with better direction than a lot of similar projects, such as Chernobyl Diaries and The Dyatlov Pass Incident (which makes Petr Jákl a better director than Renny Harlin :-D). The film is composed of things we’ve seen elsewhere, but it works, especially because of the name Chikatilo, which sends chills down one’s spine. Too bad this name is not evoked earlier in the film, as it would have lent the introduction a more powerful atmosphere. And
too bad that Jákl didn’t make this earlier. Today, this film is just one of many.
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This is a western genre standard undermined by the absence of a single moment of surprise and the fact that for the sake of effect, the characters are willing to act like monumental dullards. This fact could be forgiven if they were given an extra drop of personal life. However, all of this is unfortunately absent, and so in the end it is... a western genre standard. [Whether that's praise or scorn is up to you]. 3 ½.
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Ghoul is a good horror film by Czech standards, in fact the best horror film from our country (the list of Czech horror films is not very big). It is very close to The Blair Witch Project in its concept and form, but Ghoul is not as amateurish, bland and uninteresting. But I cannot share the enthusiasm too much, I am not a big fan of this style of horror. Ghoul in particular tries to look interesting story-wise, but I'm not convinced it was a good move, it's not a very entertaining or informative film. The jump-scre didn't impress me at all, which I also consider a minus. The plus points for me were the setting of the run-down building and the impressive atmospheric finale, for which I give it an extra 10%, so definitely a must for fans just because the film comes from here. I wouldn't watch it again though. 60%
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I don't need to write about how Ghoul stands out in Czech horror, because in this respect it has almost nothing to excel against. Jákl has shown himself to be a modern world filmmaker well versed in what attracts viewers to the scary genre and who, above all, is able to realise all the old horror motifs at such a level that the result overshadows the vast majority of more expensive and ambitious but very similar pseudo-documentary horror films. A brisk, imaginative (excellent jump-scares), superbly scored and decently paced European movie that cleverly highlights the already stifling atmosphere with the help of the chilling phenomenon of Andrei Chikatilo. The intro is quite protracted, the cannibalism is severely underused and it’s impossible to form a strong enough relationship with the characters for the final part to draw you in other than by virtue of the effective stylization, but within the massive Blair Witch wave, Ghoul is definitely one of the more interesting and sophisticated representatives. 65%
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I don't understand why the creators cling to the label "dark thriller" when it's as horror as it gets. Although it's not as scary as its reputation makes it out to be, being more of a cheap B movie, it's qualitatively fully comparable to American horror movies of the same genre. In this respect, it is a victory for Petr Jákl, who managed to make a genre-pure Czech film that has a chance to make a mark in the world. It is relatively functional, atmospheric and in some respects even better than the equivalent foreign competition, so there is no need to be ashamed of it.
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Since I'm going to see Jákl's new film Medieval today, it seemed fitting to revisit his earlier work. Besides Kajínek, this Czech director also made a found footage horror set in the intriguing landscape of Ukraine with a rather interesting premise. Sure, Western cinema has produced higher-quality entries in this genre over the years, but keep in mind that this is a Czech horror film (with an international cast). The setting in remote Ukrainian forests provided a reasonably chilling atmosphere. The acting wasn’t top-tier, but it wasn’t particularly off-putting either. I was pleasantly surprised by the way they combined the theme of cannibalism with the case of Chikatilo, the serial killer who murdered dozens of people in the Soviet Union in the 1950s. This gave the ending an extra punch. For me, it’s 5.5/10.
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This is still found footage, and in its execution, it’s quite typical. I'm not enjoying these films, and neither Jákl nor Czech coproduction nor the fact that it has a very good visual side helps with that. This genre doesn't have much left to say, and the interesting information that Ghoul conveys could be communicated in a classic horror movie, which, of course, there was not enough money for.
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