Regie:
Mike WhiteScenario:
Mike WhiteCamera:
Xavier GrobetMuziek:
Mark MothersbaughActeurs:
Ben Stiller, Jenna Fischer, Austin Abrams, Michael Sheen, Luke Wilson, Jemaine Clement, Shazi Raja, Erin Agostino, Luisa Lee, Nathaly Thibault (meer)Streaming (1)
Samenvattingen(1)
Brad Sloan heeft het allemaal: een vaste baan, een comfortabel huis in Sacramento, een liefdevolle vrouw en een getalenteerde zoon die op het punt staat een universiteit te kiezen. Toch kan Brad het niet laten zichzelf te vergelijken met zijn studievrienden die het in zijn ogen écht gemaakt hebben: een Hollywoodregisseur, een hedgefonds-eigenaar, een bestsellerauteur en een steenrijke tech-ondernemer. Brad zóu zijn zoon moeten steunen tijdens zijn zoektocht naar de beste opleiding, maar is in plaats daarvan alleen maar met zijn eigen ‘mislukte’ leven bezig. (The Searchers)
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Recensie (3)
At the first glance, the film can seem terribly dull and even boring. Ben Stiller plays this dude who is bored of life. He is mainly annoyed by the fact that everybody around him is successful but at the age of almost fifty he can’t even say what he did well in life. Everybody can experience these feelings, but in the script of this movie, it is beautifully underlined by the thoughts which are awfully close to my heart and matched his character very well. The end was cut quite short but basically, I and even Brad got what we wanted. I haven’t seen such a realistic and natural movie about everyday life in a long time.
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This film's feels like it’s going nowhere. It’s basically just about a mid-life crisis, wherein Stiller's character doesn't know if he's doing something wrong and doesn't know if he's made a big mistake in his life. The fact that everyone has a different perspective on one thing is captured well here. In terms of the acting, it’s good, but the plot still feels like it's going nowhere.
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Brad Sloan, in a civil and even highly physical portrayal by Ben Stiller, aimed for that subgenre I love so well, of human dramas in which nothing significant or tragic seems to happen, but the viewer's heart aches within a few minutes, without being able to explain why. This is precisely the middle-age crisis in a vivid portrayal that does not need the worn-out (and essentially untrue) clichés about twenty-year-old assistants and motorcycles. This journey is only about passing on one's own experiences to those who have never stumbled, because they didn't have to. It's about how strong a person feels in their twenties in terms of values and attitudes – and how many of those they lose along the way. And how seeing those losses, years, and changes can sometimes be melancholic and difficult, and other times nostalgically precise and even cheerful to the point of tears.
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