Regie:
Sean AndersCamera:
Brett PawlakMuziek:
Michael AndrewsActeurs:
Mark Wahlberg, Rose Byrne, Octavia Spencer, Isabela Merced, Gustavo Escobar, Julianna Gamiz, Tig Notaro, Tom Segura, Allyn Rachel, Britt Rentschler (meer)Streaming (3)
Samenvattingen(1)
Als Pete en Ellie een gezin willen stichten komen ze in de wereld van adoptie terecht. Wanneer ze de rebelse 15-jarige Lizzy en haar jongere broer en zus leren kennen krijgt het stel onverwacht in één keer drie kinderen. Nu moeten Pete en Ellie de kneepjes van het ouderschap onder de knie zien te krijgen, in de hoop om met z'n vijven één grote familie te worden. Dit brengt niet alleen moeilijke situaties met zich mee maar ook grappige en ontroerende momenten. (Universal Pictures International Netherlands)
(meer)Video's (1)
Recensie (4)
It has its flaws, including an exceedingly sickly-sweet ending, but I don’t want to knock it for each and every mistake, because there aren't that many family comedies with a meaningful message. And who knows, maybe this movie will actually convince some hesitant married couples to adopt a child. (60%)
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Well, that was good. This low-key comedy with a not-so-great marketing campaign is finally the hit of the spring and Mark Wahlberg scores more points. A husband and wife decide to adopt a child, but end up adopting three rebels, including 15-year-old Isabel Moner, the quintessential sassy out-of-control teen. Laughter literally alternates with crying, and it's very pretty to watch. 80%.
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Mark Wahlberg and Rose Byrne are a pair of actors I’m very happy to see in movies. And when they are cast as leads in a chill-out family comedy, I cannot be dissatisfied. A naturally flowing fun, an interesting premise that is well conveyed, no vulgarity. I see no reason to rate this with less than four stars.
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A huge disappointment. Although I'm used to Mark Wahlberg starring in rather poor films lately, this was something I didn’t expect in the least. I don’t think I have ever been under such a powerful attack of various clichés, with nowhere to hide because everything was subsequently flooded by a tsunami of pathos. The comedy was weak, but what the authors succeeded in was sappy melodrama, hence my rating.
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