Stockholmský syndrom

I have to agree with the majority here that the first installment was more successful for the creators. It’s a film with strong acting where each participant makes the most of their role. David Švehlík, in his role as the main protagonist, managed to carry the story, but the plot itself started to get tangled in the second film in a way that didn’t appeal to me. Given the title, I was hoping for a strong catharsis at the end with a confrontation between Klára and Lukáš, but the creators resolved it very quickly (it almost seemed like the screenwriters ran out of ideas), and I was left wondering... Is that all? It’s a pity. It had more than decent potential. For me, it’s 5/10. (24.02.2022)